Key Learning Outcomes | 1 | 2 | 3 | 4 | 5 | 6 | 7 |
Introduction to Computer Presentation Techniques | 2 | 2 | 1 | 0 | 0 | 1 | 2 |
Computer Aided Design (CAD) I | 3 | 3 | 3 | 1 | 1 | 2 | 1 |
Solfege | | | | | | | |
Piano | | | | | | | |
Sketching in Design | 2 | 2 | 2 | 1 | 3 | 1 | 3 |
Visual Communication Techniques | 3 | 1 | 2 | 1 | 2 | 1 | 1 |
Introduction to Interior Design | 3 | 2 | 1 | 1 | 3 | 1 | 2 |
Introduction to Design of Space | 3 | 2 | 3 | 2 | 3 | 3 | 3 |
Basic Design I | 3 | 1 | 1 | 2 | 3 | 0 | 3 |
Basic Design II | 3 | 2 | 0 | 1 | 3 | 0 | 3 |
Ergonomics in Interior | 2 | 3 | 2 | 2 | 3 | 2 | 3 |
Interior Design Project I | 3 | 3 | 3 | 2 | 3 | 3 | 1 |
Interior Design Project II | 3 | 3 | 3 | 3 | 3 | 3 | 1 |
Introduction to Furniture Design | 3 | 2 | 1 | 1 | 1 | 2 | 1 |
Structural Materials | 3 | 3 | 2 | 2 | 3 | 3 | 2 |
Construction I | 1 | 1 | 3 | 2 | 1 | 2 | 1 |
Construction II | 3 | 1 | 3 | 3 | 2 | 3 | 3 |
History of Art and Space I | | | | | | | |
History of Art and Space II | | | | | | | |
Commercial Kitchen | | | | | | | |
Form and Space in Interior Architecture | 3 | 1 | 2 | 0 | 1 | 2 | 3 |
Design Geometry and Form Analysis in Interior Architecture | 3 | 2 | 3 | 1 | 1 | 2 | 3 |
20th Centry Art Movements and Interior Design | 3 | 1 | 2 | 0 | 1 | 3 | 1 |
Interior Design Project III | 3 | 3 | 3 | 3 | 3 | 3 | 1 |
Interior Design Project IV | 3 | 3 | 3 | 3 | 3 | 3 | 1 |
Furniture Construction | 3 | 3 | 2 | 3 | 3 | 2 | 3 |
Colors and Textile in Interiors | 3 | 1 | 2 | 1 | 2 | 3 | 1 |
Furniture 1 | 3 | 3 | 2 | 0 | 2 | 2 | 3 |
Furniture II | 3 | 3 | 3 | 1 | 2 | 3 | 3 |
Mythology And Space | 1 | 1 | 3 | 1 | 1 | 1 | 1 |
Physical Environment Control I | 1 | 1 | 3 | 1 | 1 | 3 | 1 |
Design Principles of the Kitchen | | | | | | | |
Exhibition and Exhibition Space Design | 3 | 3 | 3 | 1 | 3 | 3 | 3 |
Lighting Design | 0 | 3 | 3 | 1 | 3 | 1 | 3 |
Stage and Set Design | 2 | 3 | 3 | 1 | 2 | 2 | 2 |
Structural Analysis in Interior Architecture | 2 | 3 | 3 | 3 | 2 | 2 | 3 |
Wood Protection Methods and Surface Treatments | 3 | 2 | 2 | 2 | 2 | 2 | 2 |
Non-Euclid Approaches in Interior Architecture | 3 | 1 | 3 | 0 | 1 | 2 | 3 |
Research-Based Design | 2 | 3 | 3 | 3 | 3 | 3 | 2 |
The Effect of Natural Disasters on Interior Arch. Practices | 2 | 2 | 3 | 3 | 2 | 2 | 2 |
History of Turkish Art and Space | 3 | 3 | 3 | 2 | 3 | 2 | 3 |
Effects of Technology in Kitchen Design | 3 | 3 | 1 | 1 | 3 | 2 | 3 |
Biomimicry in Interior Design | 3 | 2 | 3 | 1 | 3 | 3 | 1 |
Interior Design Project V | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
Interior Design Project VI | 3 | 3 | 3 | 3 | 3 | 3 | 1 |
Illustration of Interior | 3 | 1 | 3 | 1 | 1 | 1 | 1 |
Principles of Lighting in Different Spaces | 3 | 3 | 3 | 2 | 2 | 3 | 1 |
Space in Traditional Turkish House | 3 | 3 | 3 | 3 | 3 | 3 | 2 |
Methods of Portfolio Presentation | 2 | 2 | 0 | 0 | 3 | 1 | 2 |
Physical Environment Control II | 1 | 1 | 3 | 1 | 1 | 3 | 1 |
Space-Boundary Relations | 3 | 1 | 1 | 1 | 3 | 1 | 1 |
Professional Practice | 3 | 1 | 3 | 3 | 2 | 3 | 1 |
Contemporary Approaches on Museum Design | 3 | 3 | 2 | 3 | 3 | 3 | 2 |
Space Analyzing in Interior Design | 3 | 2 | 2 | 1 | 1 | 2 | 3 |
Experimental Space Design | | | | | | | |
The Theory of Preservation | 3 | 2 | 3 | 3 | 2 | 3 | 2 |
Problems and Responsibili. in Interior Arc. App. Cons. Sites | 2 | 2 | 3 | 3 | 2 | 2 | 2 |
Creative Packaging Design | 2 | 3 | 3 | 2 | 3 | 2 | 2 |
COPYRIGHTS IN INTERIOR ARCHITECTURE | | | | | | | |
Intership | | | | | | | |
Intership | | | | | | | |
İntership | | | | | | | |
İntership | | | | | | | |
English II | | | | | | | |
Creativity Methods | 2 | 2 | 2 | 0 | 1 | 3 | 0 |
Aesthetics | 3 | 2 | 2 | 1 | 2 | 1 | 1 |
Perspective | 3 | 2 | 3 | 2 | 2 | 1 | 1 |
Art Concepts | | | | | | | |
Atatürk's Principles and History of Turkish Revolution II | | | | | | | |
Aesthetics | | | | | | | |
Technical Drawing | | | | | | | |
Turkish Language II | | | | | | | |